Arts & Humanities: Dancing: “Question: How to do a back handspring and get over the fear of one?” plus 5 more |
- Question: How to do a back handspring and get over the fear of one?
- Question: What does Drake mean when he says "running thru the six with my woes"?
- Question: How to increase flexibility (for dancers)?
- Question: Dance/acro help!?
- Question: My dance teacher said to dance bigger?
- Question: Question for those familiar with the urban dance scene in the west coast.?
| Question: How to do a back handspring and get over the fear of one? Posted: 10 Apr 2015 12:02 PM PDT  |
| Question: What does Drake mean when he says "running thru the six with my woes"? Posted: 10 Apr 2015 10:17 AM PDT Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel  |
| Question: How to increase flexibility (for dancers)? Posted: 10 Apr 2015 09:43 AM PDT The frog and the butterfly are only meant to help open your hips up to get you to your maximum turnout. But you ultimately have the turnout you were born with. If you were born with a shallow hip socket you will most likely have full turnout. If you were born with a deep hip socket you will never have full turnout. This has a lot to do with bone and muscle structure and you have what you are were born with. If you have been working properly for years and not just on opening your hips but using and building the muscles required to hold your turnout you should be well on your way to engaging and holding your turnout. There are people born with perfect full open turnout who don't know how to engage their turnout muscles and hold them. That is really what is most important. You have to learn to engage and hold what you have, for what is the point of having full turnout if you can't use it. You would be better off spending time on doing that then just looking to gain more flexibility in your hips and hitting a wall. Flexibility without the strength to use it is pretty useless in dance. You need to learn to engage those muscles deep within your hips and pelvic floor while rotating your upper thighs outward all the while in proper alignment. Almost everything you do at the barre if done correctly is meant to help with that. Especially rond de jambe a terre. Regarding extensions make sure you are engaging the right muscles and not gripping your quads when doing developpe. You use your core, turnout and hamstrings and think of your leg being pushed up from underneath and not pulled up from your quads. Not only will gripping quads bulk your thighs it will restrict your height and reduce your flexibility. All these things should be done under the guidance if your teacher. |
| Posted: 10 Apr 2015 07:31 AM PDT Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel |
| Question: My dance teacher said to dance bigger? Posted: 09 Apr 2015 11:19 PM PDT It means to use extension. Exaggerate every move. If you are reaching forward, don't just put your arm out. Pretend there is a $100 note far away from you and reach! Or there is a box that is as wide and as tall as your arms reached out. Try to break that barrier by reaching out as far as your arm/ leg will let you! Really show your passion, what you are made of! This is your talent, share it with the world! Check your spacing and alignment with every move, make sure your legs and arms are straight or bent when needed, not in between and pointe your feet as far as they will go! Make your moves fluent, add dynamics such as soft or sharp. Really perform your routine! Add facial expressions - if it is a happy theme, smile. Sad theme - don't smile, but show some sort of emotion of sadness on your face that you feel fits the song. Try try your hardest! Don't ever lose faith or hope in yourself! Good luck! Source(s): I got the same corrections, but this is what my dance teacher told me and I have improved this!!
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| Question: Question for those familiar with the urban dance scene in the west coast.? Posted: 09 Apr 2015 10:29 PM PDT Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel |
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