Arts & Humanities: Performing Arts: “Question: Do you require a two track mind in order to sing and play piano at the same time? Will I ever be able to?” plus 4 more |
- Question: Do you require a two track mind in order to sing and play piano at the same time? Will I ever be able to?
- Question: How hard is it to make it as a professional magician?
- Question: What happened to Jack Barakat here?
- Question: How can I shift guitar chords quickly and keep up with the rhythm?
- Question: Notes on a Chromatic Scale?
| Posted: 28 Sep 2016 07:34 PM PDT No tips..... just keep at it. Start with something really simple - Twinkle Twinkle Little Star. Play/sing that a couple hundred times. playing pieces and singing very probably take place in different parts of the brain. And you just have to train them to work together.  |
| Question: How hard is it to make it as a professional magician? Posted: 28 Sep 2016 07:03 PM PDT As hard as it is to make it in any entertainment type job. A lot of people try the same thing, and it tends to get old, you need to keep your audience entertained. Try finding something that sets you apart from other magician; a special trick, or a catchy word, even the way you dress, can help you in this regard. That said, all you really need to do, is be entertaining, and enjoy what your doing. Jesse Jacobs · 3 hours ago
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| Question: What happened to Jack Barakat here? Posted: 28 Sep 2016 06:18 PM PDT Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel Report AbuseAdditional DetailsIf you believe your intellectual property has been infringed and would like to file a complaint, please see our Copyright/IP Policy Report Abuse Cancel  |
| Question: How can I shift guitar chords quickly and keep up with the rhythm? Posted: 28 Sep 2016 11:35 AM PDT Practicing with a metronome will keep 'honest' with regard to the rhythm, but that's just half of the solution. You need to be so adept at changing chords that you *can* change them as rapidly as necessary. The key to this is practice, which builds muscle memory. Also, it's necessary to think of chords as complete shapes. Most beginners tend to think of chords in terms of "this finger goes on the first fret, and that finger goes on the second..." Also, remember that it's not always necessary to move every finger. Some chords share notes or similar shapes, so it's often faster to leave one finger in place as an anchor or pivot. Finally, getting back to the metronome, the rhythm is vital....often more-so than the actual chord. There is a strumming technique where you allow yourself the space of an up-strum to make the change. You can hit open or partially muted strings on the up-strum while you're making the chord change. When done correctly, it adds an accent to the rhythm...and gives you a little extra time to get your fingers in place. |
| Question: Notes on a Chromatic Scale? Posted: 28 Sep 2016 07:35 AM PDT If you were reading music notation, the notes that aren't part of the scale would be called "accidentals". Using the numeral system, I, IIIb, II, IIb would be correct for those notes, but they aren't a "chromatic scale" or "chromatic run". The chromatic scale or a chromatic run is fancy language for all 12 notes in the octave. If you're playing bass and somebody tells you to play a chromatic run between 2 notes, you just hit every fret sequentially between those notes. For instance, a chromatic run from C down to A would be C-B-Bb-A (IIIb-II-IIb-I) |
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